mysterious monster accordion, uploaded by tinyprayers
Our friend Dave came across this gigantic accordion on display in Virginia City, Montana. As noted in the caption, it is “Unfinished, with at least an extra octave of keys, and 192 (!) bass buttons.” Wow. That’s a whole lotta accordion! (Thanks, Dave!)
I receive a lot of emails from people who have found (or been given) an old accordion and are looking to identify it and determine its value. And while this is a common predicament, there are very few resources online for accurately identifying vintage accordions. So I typically ask these people where they’re located and refer them to a local accordion shop. (Especially since, to do an accurate appraisal, you really need to see, hear, and even smell an accordion in person.)
But lately I’ve been thinking, why not throw some of these queries to our readers — after all, you’re probably one of the most diverse and knowledgeable collections of accordion enthusiasts online. So, we’re starting a regular feature called “Name That Accordion”, where we post photos of re-discovered accordions and ask you, our fair readers, to help identify their age, origin, and any other historical details you can muster up.
Our first subjects come from Carmen L., who is researching three accordions that her late stepfather left her. We’ve posted a few photos on Flickr — there’s a black 120-bass Wurlitzer, a blue two-row Concertone, and a red German-made 12-bass. If you can help fill in the details on any of these boxes, post a comment here or over at Flickr. Let’s test the wisdom of the crowds!
Today’s links are sponsored by the great state of Texas, home of Flaco Jimenez, Brave Combo, and the Dallas Cowboys cheerleaders.
Rock stars of tomorrow, uploaded by ‘56 Mojo
As we’ve seen before, I have a soft spot for these old photos of kids accordion bands. (This one apparently dates from around 1935.) But while these bands seemed to be a dime a dozen in those days, I’d really like to see photos of modern-day kids accordion bands. Anybody know of one?
We are not amused, uploaded by Ginger Sarah
I’ll admit — as much as I love an accordion-playing Santa, I feel a little sorry for that dog. I hope they make enough money busking to buy him a really tasty bone or chew toy. He certainly deserves it.
Boy with Accordion
uploaded by BrannEver have one of those days? The kind where everything drags, just getting out of bed is a chore, and when you pick up your accordion, it feels like a ton of bricks. Well, imagine how this poor kid feels. First, Mom makes him wear a tie and a pair of knickers. Then he has to stand out in the sun and pose for a photo with an accordion that’s nearly as big as he is. The grimace on his face says it all: “Hurry up and take the picture… I can’t hold this much longer…”
Jack-o-Lantern, originally uploaded by RJL20
There’s still an hour of Halloween left, which is plenty of time to share this photo of a beautifully spooky jack-o-lantern based on a Jason Webley t-shirt design. Jason has a new album out, The Cost of Living, which is his first solo album in three years. He’s backed by his excellent touring band and the result is more rock ‘n’ roll than his previous stuff. If you missed it, be sure to check out our recent interview with Jason, conducted before the Monsters of Accordion tour.
Cotati Accordion Festival Photos
Ah… another year, another glorious weekend spent at the Cotati Accordion Festival. We spent nearly ten hours in La Plaza Park today, listening to an incredible collection of accordion-oriented artists. Where else can you hear a klezmer band followed by a yodeling, accordion-playing cowboy? Or see hundreds of white doves released into the sky as a crowd plays “Lady of Spain”? Only in Cotati.
We finally got to see Brave Combo live and they didn’t disappoint; it only took a couple songs before they had most of the crowd in a giant conga line, weaving their way through the park. Culann’s Hounds were a big hit, too; I’m glad that word’s getting around about how good they are. We heard virtuoso accordionists across the generations, from Tony Lovello working the crowd to Alex Meixner alternating between piano and button accordion to young Coupe Mondiale participant Sammy Thomas. We also grabbed a hot-off-the-presses copy of the new Those Darn Accordions album, Squeeze Machine (review coming soon!).
And while Anna didn’t win the raffle this year, we still had a fantastic time. We were completely blown away by the number of people who came up to us and mentioned the site. Thanks for all your support and hopefully we’ll be reporting on Cotati Accordion Festivals for years to come.
It isn’t every day you get to see five of North America’s hottest singer/songwriter/accordionists in one place, but we were lucky enough to do so last night at 12 Galaxies in San Francisco as the Monsters of Accordion tour rolled into town. The crowd was incredible — my amateur guesstimating skills say around 300 people — including a handful of Let’s Polka readers who came up and introduced themselves throughout the night (thanks for coming!).
The show kicked off with Geoff Berner whose “Canadian klezmer drinking songs” had the crowd singing along from the start. In between songs, he told stories of his great-grandfather’s move to Saskatchewan, incompetent French generals of the 1930s, and everything in-between. By contrast, Duckmandu (Aaron Seeman) was all-business, storming through punk covers, country songs, and originals from his new album, Shut the Duck Up and Play Accordion. He closed with his always-popular “flaming hat” rendition of “Highway to Hell.”
As soon as Corn Mo hit the stage, one of my friends turned and asked “Is this guy the love child of Meatloaf and Freddie Mercury?” His show-stopping performance of “We Are the Champions” did little to dispute that hypothesis and Corn Mo had the crowd eating out of his hand for his entire set. (Anna declared him “Best in Show” for the night.) Each show on the Monsters tour has featured a special guest and, after Corn Mo, we were treated to a rare set by the Bay Area’s own Mark Growden. (Mark wins the award for most drool-worthy accordion — what appeared to be a chromatic Bugari.)
Finally, the man who organized it all — Jason Webley — took the stage and whipped the crowd into a frenzy with nonstop sing-a-longs and even a cover of Outkast’s “Hey Ya!” thrown in for good measure. He was floored by the passionate, accordion-loving crowd and remarked that “the tides are changing… in three or four years, people are going to be embarrassed to admit they took guitar lessons as a kid.” The show closed with all five accordionists onstage performing (or just drinking along to) Webley’s “Drinking Song” as the crowd spun in circles and headed out into the cool San Francisco night.
It was a fantastic event and, if you’re in the Bay Area tonight, be sure to catch the last show of the tour over at Smythe’s Accordion Center in Oakland. This is absolutely a can’t-miss, must-see show. Even if you’re up in Cotati today (we’re headed there now), you can still make it down in time for the Monsters show.
For those who couldn’t be there last night, here’s a video I recorded of Corn Mo performing “We Are the Champions”:
Let’s Polka is devoted to all things accordion.
Send us your accordion news, events, and links!
