The annual Ottawa International Jazz Festival just wrapped up and one of the biggest hits was French accordion virtuoso Richard Galliano. Performing with his Tangaria Quartet, Galliano’s concert was “as thrilling a performance as was heard” throughout the entire festival, according to a review in the Ottawa Citizen. Galliano “reeled off one exhilarating song after another,” allowing the audience “to lose themselves in his brilliance.” Not a bad review, I’d say.
Born in Cannes in 1950, Richard Galliano studied at a conservatory as a youth, but quickly changed his musical devotion to jazz after hearing (and memorizing the solos of) jazz trumpeter Clifford Brown. Galliano set out to establish the accordion’s reputation in jazz, becoming a sought-after accompanist and soloist. Astor Piazzolla invited him to be the bandoneon soloist at the Comédie Française production of “A Midsummer Night’s Dream,” starting a close friendship that lasted until Piazzolla’s death in 1992.
More recently, Galliano has become known for a style he calls “New Musette” — a fusion of styles ranging from samba and salsa to waltz and tango. Regardless of what he’s playing, though, it’s always with unparalleled skill and passion. Here’s a fantastic video of Galliano performing Piazzolla’s “Libertango” solo:
Hang on tight — it’s another edition of “Five Questions”, our interview series with noteworthy accordion personalities from around the globe.
Few accordionists can cross genres as comfortably as Bradley Jaye Williams. Born in Michigan, Williams moved to the San Francisco Bay Area and then to Austin, where his music career really took off, playing with the likes of Flaco Jimenez and Mingo Saldivar. He currently plays in three bands: an authentic Texas-style conjunto called Conjunto Los Pinkys, a Cajun/Zydeco dance band known as The Gulf Coast Playboys, and The Fabulous Polkasonics, a combo that plays Polish-American “honky style” polkas, waltzes, and obereks.
When and why did you first start playing the accordion?
In 1986, I started playing the 2-row button accordion while living in a tiny studio apartment in Berkeley, California. My neighbors listened to me struggle with “La Cucaracha” and “La Nopalera” for a few months! Why did I start playing? I love accordion music! It was the natural thing to do. It felt right. To me, the accordion was always cool and it’s at the heart of many styles of dance music I love. I grew up in Saginaw, Michigan around all kinds of music… Motown, country, Dixieland, jazz, rock n’ roll and polka music… mainly the Polish-American and German music of Marv Herzog and Lawrence Welk (of course).
Living in the Bay Area in my 20’s, I experienced the music of Flaco Jimenez and it really struck a chord with me. Here was good old polka music being chopped and customized in a new and different way. I loved it. Ultimately, I think I was drawn to the international and cross-cultural appeal of accordion music and polka… the songs, customs, dance, food and pure FUN we all share. Of course, there is also something very compelling about the accordion itself: a magnificent machine…beautifully designed…and a challenge to play.
I always loved the circus growing up, but I’ll tell you — Ringling Brothers had nothing on the high-energy, French ten-piece Babylon Circus. What started as a ska band in 1995 in Lyon has evolved to include reggae, rock, jazz, and numerous other eclectic influences. But with lyrics in French and English — sometimes both in the same song — addressing social and political issues (like the Iraq war), Babylon Circus isn’t pure diversion. It’s music with a message: get out of your seat and take action, whether it’s marching in the streets or jumping on the dance floor.
Their latest record, Dances of Resistance — released in France in 2004, but just making its way here now — continues to mix the political with the carnival, interspersing full-length songs with brief, circus organ-ridden ditties. Described by some as a French Gogol Bordello, the band has a reputation for electric live shows, as shown in this performance of “J’aurais Bien Voulu”:
This month’s issue of Keyboard Magazine has an excellent profile of one of our favorite polka artists: Big Lou, the Accordion Princess. The piece covers her double life as a geophysicist/accordionist, her squeezebox arsenal, and how she made the transition from Texas honky-tonk piano player to polka princess:
“The only thing that a piano player has to pay attention to is phrasing, or breathing [compressing and expanding the bellows]. That’s kind of a sure giveaway when accordion players listen to piano players who don’t really learn how to play the accordion.”
To learn more about Big Lou, be sure to check out our interview with her (conducted in late 2006). You can also catch her weekly radio show online at 247PolkaHeaven.
The future of the accordion is now; at least, it is for these young accordion bands readers sent us after our post on a kids accordion band photo from the 1930s. Each of these bands is helping promote the accordion to a whole new generation.
Showstoppers Accordion Orchestra and Dancers Founded in 1970 and led by Rosita Lee Latulippe, the Showstoppers Orchestra give the students of the Latulippe’s music school the opportunity to travel and perform. Over the years, the band has performed across the country and even overseas; last year, they performed at the Kennedy Center’s Millennium Stage during the Coupe Mondiale.
Tameside Junior Accordion Band Founded in 1992 by Betty Pollard, teaching and instruments are free for members of the Tameside Band, supporting their philosophy that money shouldn’t prevent children from learning music. The Band won the elementary group championship at this year’s UK Accordion Championships.
Cool Cats Accordion Band The Cool Cats are part of Terry Bell’s accordion and keyboard studio (United Teachers of Music) in Independence, Missouri. Playing everything from Bach to boogie, some of the band’s alumni have gone on to compete nationally and internationally.
I’m sure there are plenty of other young accordion bands and orchestras out there. If we left yours out, leave us a comment and let us know.
One of the benefits of having a MySpace page for Let’s Polka is it helps us keep tabs on tons of artists that might otherwise fly under our radar. Here’s are a few that have recently caught our ear:
Piñata Protest We’ve seen a few punk/polka bands, even some punk/zydeco, but San Antonio’s Piñata Protest is the first punk/Tejano band we’ve come across. An answer to the traditional Tejano music its members grew up hating, this is what would happen “if Ramon Ayala and Sid Vicious had a baby.”
Amber Lee and the Anomalies Accordionist Amber Lee Baker, accompanied by banjo and fiddle, sings of rodeo clowns and whaler’s wives while leading this charming acoustic group from Anna’s old stomping grounds (Santa Rosa, CA). Their debut CD, Estuaries, is due out next month.
Accordion Death Squad Armed with an excellent name, the Accordion Death Squad plays “gypsy music from Ratsylvania,” which is apparently near Charlottesville, Virginia. Swirling accordion and violin guaranteed to keep you dancing.
If you live in L.A. and play the accordion, there’s a good chance you’ve been to Dave’s Accordion School. Located in Atwater Village, Dave’s has been offering accordion lessons and repairs since 1971. Run by Dave Caballero and his wife Veronika, the pair met years ago when Veronika wandered into the shop looking for accordion lessons. (Three children and three grandchildren later, I guess you could say the lessons went well.) Here’s a nice video profile of Dave’s Accordion School put together by a USC School of Journalism student.
They say everyone is Irish on St. Patrick’s Day; at the very least, I hope everyone gets to hear a little Irish music today. If you aren’t headed to one of the Irish-themed events on our calendar or in your area, here are a few Irish accordionists who can provide the soundtrack to your day:
Joe Burke
Hailing from East Galway, Burke sparked a revival of interest in Irish accordion music in the early 1960s. Influenced by early players like Paddy O’Brien and Joe Cooley, Burke’s masterful playing, live performances, and charm have established him as a living legend of Irish music. Joe Burke: The Morning Mistmp3
Sharon Shannon
Sharon is a traditional musician in the loosest sense of the word; her influences are all ‘traditional’ but from various parts of the globe. Incorporating Portuguese, French Canadian, and Scottish influences, her 1991 debut album is the best-selling traditional Irish music album ever. Sharon Shannon: Blackbirdmp3
Joe Derrane
Born in Boston to Irish immigrant parents, Joe Derrane recorded a series of 78rpm records in the late 1940s that stunned the Irish music world with their unique styling, power, and flawless technique. After a 40-year hiatus from the button box, Derrane is again wowing audiences and received an NEA National Heritage Fellow award in 2004.
The South by Southwest (SXSW) music festival kicked off in Austin today and, with hundreds of artists performing at over eighty venues, there are plenty of accordions in the mix. As we’ve done in previousyears, here’s a quick look at some performers that may have flown under your radar:
Dusty Rhodes and the River Band
Not your typical West Coast indie rock band, this Orange County six piece blends a love for 70’s era classic rock with folk and bluegrass, ensuring that the guitars are never far from the accordion, violin, and banjo. Dusty Rhodes and the River Band: Dear Honeymp3
Rana Santacruz
Born in Mexico City and heavily influenced by both folk and alternative music, Santacruz’s music has been labeled by some as “Irish mariachi”, favoring acoustic instruments like the guitar, accordion, and guitarrone. Rana Santacruz: Cajita de Barromp3
1001 Nights Orchestra
Austin’s longest running Middle Eastern music group has a repertoire that stretches from Southwest Asia and the Caucuses in the East to the shores of the Mediterranean in the West, as well as many original compositions. 1001 Nights Orchestra: Neda Voda Nali Valamp3
There are few places where you can hear so many excellent artists in one place, so if you’re anywhere near Austin this week — on your way to the National Accordion Association convention in Richardson, perhaps? — stop in, have a drink, and meet your new favorite band.
I’ve been hearing a lot of buzz lately about the Felice Brothers, three brothers (and a traveling dice player named Christmas… seriously) from upstate New York who play rough and tumble American roots music. They started out busking in the NYC subway and touring in a “short” school bus, but now they’re wowing critics and drawing comparisons to Dylan, Springsteen, and the Band. Not too shabby for a band whose self-titled debut just came out today.
They may not live up the comparisons yet, but make no mistake, this is honest, hearty, gritty music. You can hear James Felice’s excellent accordion all over their new album; my favorite track is the shuffling “Frankie’s Gun”:
The annual Ottawa International Jazz Festival just wrapped up and one of the biggest hits was French accordion virtuoso Richard Galliano. Performing with his Tangaria Quartet, Galliano’s concert was “as thrilling a performance as was heard” throughout the entire festival, according to a review in the Ottawa Citizen. Galliano “reeled off one exhilarating song after another,” allowing the audience “to lose themselves in his brilliance.” Not a bad review, I’d say.
Hang on tight — it’s another edition of “Five Questions”, our interview series with noteworthy accordion personalities from around the globe.
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