• Live Review: Steve Jordan Tribute
  Austin360 reviews Sunday’s Steve Jordan tribute concert in Austin. Despite recently undergoing treatment for liver cancer, Jordan played a rockin’ 45-minute set; check out a clip of him performing with Little Joe.
• Amoriental Accordion
  My French is rusty — Sylvie, can you help? — but the Amoriental appears to be a brand new accordion created by Thierry Bénétoux, who’s trying to bring the best of Eastern and Western music together in one instrument (note the unique button alignment). The site is short on details, but promises an unveiling next month at the Festival Des Nuits De Nacre.
• Accordion Revolution
  This fun video slideshow, put together by Abbie Stillie and Katey Gries, includes interviews with members of Accordions Anonymous and the Bad Mitten Orchestre about the accordion’s resurgent popularity.

• All About Jazz: Accordion Three-Fer
  All About Jazz reviews three recent jazz accordion releases by Angelo DeBarre/Ludovic Beier (Paroles de Swing), Lola de Valance (Eaux Troublés), and Richard Galliano (If You Love Me (L’Hymne à L’Amour)).
• Idi Amin Playing Accordion
  After The Last King of Scotland was released, I read how Forest Whitaker learned to play accordion as he prepared for his role as Ugandan dictator Idi Amin. But, until now, I’d never actually seen a clip of Amin playing. (Probably not the ideal poster boy for the accordion, though…)
• How Being ‘There’ at Right Time Paid Off for State Farm Musicians
  The Monkees have nothing on the made-for-TV band Los Felinos de la Noche. Advertising Age tells the story of how they met during the filming of a State Farm commercial and became a successful, touring band.

Of all the bands I’ve discovered while writing for Let’s Polka, DeVotchKa is quite possibly my favorite. We saw them at a club in San Francisco a couple years ago and were blown away — their unique brand of gypsy-mariachi rock was infectious and it’s hard to dislike any band that sports an accordionist/violinist, a drummer/trumpet player, a tuba player, and a wine-swigging lead singer. Two years later, after making a splash with their soundtrack to the Oscar-nominated Little Miss Sunshine, DeVotchKa does not disappoint with their new album, A Mad and Faithful Telling.

It’s easy to get caught up in the novelty of DeVotchKa’s sound — the cinematic swells, the mariachi horns, the tinkling glockenspiels — but don’t overlook the rich songs bubbling under that melting pot’s surface. “Transliterator” balances frenzy and restraint beautifully, the shuffling “Head Honcho” carries you away, and “Undone” is just achingly stunning.

We loved accordionist Tom Hagerman’s recent solo album, The Breakfast Playground, and — from his fierce violin on “Comrade Z” to his playful accordion on “Strizzalo” — he plays a huge role on this record. Other bands have helped put the accordion on the indie rock map in recent years, but few carry it as naturally or as well as DeVotchKa.

Devotchka: Head Honcho mp3

Olivier Conan didn’t go to Peru to find chicha; it found him. Conan was introduced to chicha — a style of Peruvian pop music derived from Colombian cumbias — by street vendors in Lima and was immediately hooked. Ignored by critics, art students, and the middle class, chicha was music for the poor and, as such, was largely ignored outside of Peru.

That is, until Conan returned to Brooklyn and formed Chicha Libre, whose debut album ¡Sonido Amazonico! was released today. The group plays a mixture of latin rhythms, surf music and psychedelic pop inspired by the chicha bands of the 1960s that borrowed sounds from rock and roll (electric guitars, organs) and combined them both with cumbia and traditional Amazonian music. In an interview, Conan describes how Chicha Libre pays homage to those progenitors:

“We imitated the sounds but took liberties. It has since evolved into a band with its own identity and borrowings from everywhere — in a way, it is faithful to the spirit of Chicha, which itself borrowed from all corners of the world. We’re just as syncretic and trying to be just as much fun.”

The band mixes covers of forgotten Chicha classics with French-tinged originals, re-interpretations of 70s pop classics as well as cumbia versions of pieces by Satie and Ravel. You can catch the six-piece group — which includes Joshua Camp (of One Ring Zero) on the Hohner Electravox — every Monday night in April at Olivier’s Brooklyn club, Barbès.

Chicha Libre: Primavera en la Selva mp3

With Super Tuesday behind us, it’s time to focus on a contest that really matters: the Grammy award for Best Polka Album, to be handed out this Sunday in Los Angeles. This year’s nominees include some polka freaks from Texas, a pair of Canadian polka greats, and a 16-time winner who shows no signs of slowing down. Let’s take a closer look at the nominees:

Brave Combo, Polka’s Revenge

Eclectic polka-rockers Brave Combo are no strangers to the Grammy scene, having won in 1999 for their album Polkasonic and in 2005 for their album Let’s Kiss. For more than twenty five years, they’ve relentlessly busted genres and boldly taken polkas where they’ve never gone before. On Polka’s Revenge, the band fuses rock and Tex-Mex-inspired polkas with old-world waltzes, schottisches, and obereks. Originals like “The Denton Polka” mingle freely with updated renditions of classics by the Connecticut Twins and Ampol Aires.

Brave Combo: The Denton Polka (MP3 download)

John Gora & Gorale, Bulletproof Polkas

Born in Poland, now living in Ontario, Canada, saxophonist John Gora and his band earned their fourth Grammy nomination this year. The repertoire on Bulletproof Polkas runs the gamut from traditional polkas sung in Polish to polka-fied covers of rock songs. In the latter category, Culture Club’s “Karma Chameleon” survives the transition well, but the same cannot be said for John Lennon’s “Woman.”

John Gora & Gorale: Karma Chameleon (MP3 download)

Bubba Hernandez and Alex Meixner, Polka Freak Out

When Bubba Hernandez (former bassist for Brave Combo) first heard accordionist Alex Meixner, he asked himself, “What would this guy sound like on a Tex-Mex tuned accordion with some Tejano players?” The result is Polka Freak Out, an unlikely collaboration that places Alex’s technical mastery of the accordion over a Tex-Mex rhythm section, with dollops of Tejano, pop, and rock thrown in for good measure. Think Brave Combo, but with more accordion (and a heck of an accordion player at that).

Bubba Hernandez and Alex Meixner: A Heart’s Grand Opening (MP3 download)

Walter Ostanek and Brian Sklar, Dueling Polkas

“Canada’s Polka King” Walter Ostanek matches up with Saskatchewan fiddler Brian Sklar and his band, the Western Senators, for an old-fashioned double album. It’s an apt pairing: Sklar is a Canadian country music legend and Ostanek has been bringing country and western stylings to Cleveland-style polkas for years. The two styles merge effortlessly on Dueling Polkas and, fifty years after starting his first band, Ostanek is still one of polka’s greatest accordionists.

Walter Ostanek and His Band: Iron Mike’s Polka (MP3 download)

Jimmy Sturr and his Orchestra, Come Share the Wine

Having won 16 out of the 22 awards given for Best Polka Album, Jimmy Sturr has earned his share of both respect and enmity from his polka colleagues. But few can deny that he’s one of polka’s hardest-working promoters, cranking out an album a year and following a relentless tour schedule that ranges from the Bayway Polish Home to Farm-Aid. Come Share the Wine may lack the star power of his most recent releases (no Willie Nelson cameo this time), but that’s actually a good thing; this time, the focus rests squarely on his top-notch band.

Jimmy Sturr and his Orchestra: Red Wing (MP3 download)

It’s a diverse set of contenders for the polka field and it’s anyone’s guess as to who will bring home the Grammy. Will Jimmy Sturr add another trophy to his collection? Will the Texas polka mafia power either Brave Combo or Polka Freak Out to victory? Or will one of Canada’s polka heroes swoop in from the Great White North? We’ll find out on Sunday!

There aren’t many young adult novels involving accordions, but Bruce Triggs found one. Bruce — co-host of the excellent Accordion Noir radio show in Vancouver — penned this book review for Let’s Polka:

I picked up Susanna Vance’s book Sights, because the (hardback) cover is of a girl playing accordion. I was literally on my way to the Vancouver (BC) Accordion Circle, where I was quick to show it off.

Sights tells the story of a 13-year-old girl who’s had what’s euphemistically called a “tough” childhood, moving to a new school and making friends with some other outcasts and forming a band. She plays accordion… they rock… cool! I wanted her to be a big Johnny Grande fan (accordionist with Bill Haley and the Comets), but he isn’t mentioned.

I was really impressed with the “sound” of the narrator (who’s name is Baby Doll). Without telling where she is from, she gives a really consistent rural USA sound to the book. I’ve lived a lot of places in America, and she sounded kind of Okie/Appalachian. I’m not sure where she’s from, but it’s really nice.

It has grimmer aspects than Victoria Miles’ Magnifico, the other teen book I know with accordion content. People should be aware that it deals matter-of-factly with subjects like child abuse and adolescent sexuality, but I do recommend it. (I similarly have to remember to tell people that Annie Proulx’s Accordion Crimes is kinda violent, which I overlook in the richness of it all.)

There are elements of fantasy in the story’s vision of 1950’s USA. I wouldn’t call it realistic; even the violence is rather odd. But if you’re prepared (by reading this), you should be in for a swell time.

You can listen to Accordion Noir, co-hosted by Bruce Triggs and Rowan Lipkovitz, every Friday night on CFRO CO-OP Radio, 102.7 FM in Vancouver, or download episodes online at accordionnoir.org.

What started as a lark — an accordion gang raiding San Francisco restaurants to play “Lady of Spain” — has turned into a very productive career for Those Darn Accordions. Their latest album, Squeeze Machine, continues the tradition of accordion rock and oddball humor that has made the band “America’s favorite rock ‘n’ roll accordion band” for more than 15 years.

The band has clearly evolved since the early days when they’d cram eight accordions on stage. Their older records leaned heavily on squeezebox-specific kitsch: songs about Lawrence Welk and all-accordion renditions of rock classics (often with octogenarian Clyde Forsman on vocals). But while the old TDA was an accordion band that played rock songs, the modern-day TDA is really a rock band that just happens to sport a few accordions. They’ve pared down the accordion lineup to four, turned the focus from covers to originals, and tightened up their sound.

One thing hasn’t changed, though: they’re still having a hell of a lot of fun. Lead singer/songwriter Paul Rogers populates the album with a cast of colorful characters, ranging from a disgruntled member of a Beatles tribute band (”This Song”), to a squabbling bicycling couple (”Tandem Bike”), and a Willy Loman-esque traveling salesman (”Wrinkle Suit”). Cleveland native (and new “Price is Right” host) Drew Carey even shows up to help renovate a house on “Glass of Beer Polka.”

Meanwhile, the band doesn’t stick to any one genre for long, trading rock ‘n’ roll for country hoedowns (”Heads and Horns”) and swing (”Cocktails in Tehran”) when the mood strikes. On some tracks, heavy wah-wah-like effects make you wonder if you’re actually listening to accordions at all. (You are.) And, of course, there are still a couple covers — AC/DC’s “Back in Black” and “It’s Now or Never” both get the TDA treatment. (Longtime fans may remember that a version of the latter appeared on the band’s first album, Vongole Fisarmonica, too.)

Squeeze Machine does an excellent job showcasing TDA’s strengths: catchy, offbeat, high-energy, accordion-driven tunes. It’s tough to keep things fresh after 15 years, but Those Darn Accordions are clearly up to the challenge.

Those Darn Accordions: Blame It On Those Darn Accordions (MP3 download)

Buy Squeeze Machine by Those Darn Accordions (Amazon)

Terry Palasz isn’t your average polka singer. Classically trained with a powerful soprano, she puts a unique twist on traditional polka music with her album, The Polish Diva’s Polka Party. The album grew out of her one-woman show, The Polish Diva from Milwaukee, and she brings Broadway style to polka classics like “Who Stole the Keeshka?” and “Blue Skirt Waltz.” But she always respects her source material, putting the focus on the melodies and lyrics, and singing in English, Polish, German, and Slovenian.

While the singing is certainly the focus, there’s some quality musicianship here, too. Accordionist/arranger Toby Hanson of Seattle’s Smilin’ Scandinavians does an excellent job making the classics sound fresh, regardless of style. For me, the key to any polka recording is whether it’s fun — for both the performers and the listeners. From the soaring of Palasz’s voice to the rambunctious xylophone and trombone solos, it’s clear there’s plenty of fun going on at this polka party.

Listen to this clip, which features Palasz singing in Slovenian and some great accordion work from Toby Hanson:

Terry Palasz: Silk Umbrella Polka (MP3 download)

Just a couple weeks ago, They Might Be Giants released their new album The Else bundled with a super special bonus disc called Cast your Pod to the Wind, which contains music previously released only on their podcasts. It’s no doubt They Might Be Giants is one of the hardest working (and prolific) rock bands out there; releasing the equivalent of two albums at the same time is an impressive feat!

I love both of these discs. Yes, I am a long time fan, but every song included is quintessentially They Might Be Giants. From Flansburgh’s energetic power-pop guitar hooks to Linnell’s cleverly written lyrics and meticulously orchestrated geek-rock, both discs are a fabulous collection of musical experiments. I’ve listened to it about 20 times over, and yet I continue to get “Aha!” moments when I catch a lyrical phrase with a double meaning or a clever melodic riff. I can’t help but think “These guys are geniuses!”

Although light on accordion solos, I think any musician would appreciate the vast array of other instruments and effects used to enhance this otherwise straight-forward rock album and bonus disc. It’s a must for dedicated fans, and a great ’starter’ album for people less familiar with the band.

Buy The Else (with bonus disc!) by They Might Be Giants (Amazon)

They Might Be Giants: No Plan B (MP3 download)

The best description I’ve read of Gogol Bordello is that they’re “a bit like The Clash having a fight with The Pogues in Eastern Europe.” Their new album, Super Taranta!, is out today and features an even wilder mix of accordion-driven gypsy, punk, reggae, ska, flamenco, and dub than their previous efforts. Frontman Eugene Hutz explains the inspiration behind the new album:

“Super Taranta! is our interpretation of tarantella, a ritual music from Italy… I saw a painting in Tuscany of a woman in convulsions and guy playing a violin. He’s leaning over her, playing music to cure her hysteria, put her into a trance and exorcize her demons. It was sexual, mystical and cultural, almost obscene — all the qualities of Gogol Bordello.”

Of course, Gogol Bordello’s reputation isn’t built on their recordings, but on their frenzied, sweaty live shows (which usually involve Eugene crowd-surfing on a bass drum). The band hits the East Coast later this week (check our calendar for dates) after making an impromptu appearance at last weekend’s Live Earth concert in London, adding some much-needed gypsy flair to Madonna’s set.

Buy Super Taranta! by Gogol Bordello (Amazon)

Gogol Bordello: Super Theory of Super Everything (MP3 download)