- Coin-Operated Accordion Arcade Jukebox
Wow. I’m not sure where to start with this — it’s basically a jukebox/player accordion that sits on top of a barrel. Load music rolls in the barrel, drop a quarter in the slot and marvel as the automated accordion squeezes out classic tunes. Watch this video for a demonstration, but be warned — bidding starts at just under $4,000. - Topaz-1: Cold War Electro-Accordion
Your fancy MIDI accordion is nothing new; Russian accordionists were squeezing electronic accordions (or bayans) back in the 1950s. This model had a built-in loudspeaker and amplifier, tremolo and vibrato frequency control, and more. Look ma, no bellows! - The Flaco Jimenez Signature Accordion
Hohner has a new limited-edition version of its Corona II accordion, developed in collaboration with the legendary Flaco Jimenez. The accordion is tuned to match Flaco’s unique sound, has a noise reduction fingerboard, and sports a shiny gold finish complete with Flaco’s signature.
Quick Links: One-of-a-Kind Accordions
One Less Guitar, One More Accordion
If you think we work hard to promote the accordion, you should check out our Canadian cousins at Accordion Noir. They produce a weekly radio show devoted entirely to accordion music from around the world. They’ve also just created a great new bumper sticker to raise accordion awareness — one whose message may sound familiar to some bicyclists:
The stickers are narrow so they fit a bike’s tubes, but look equally fab on an accordion case, guitar case, hurdy-gurdy case… you name it. They’re currently available around Vancouver or you can email the guys to order one. The cost is just $1 and goes to support their awesome radio show, which is broadcast on CFRO Co-Op Radio (102.7 FM) in Vancouver. (You can also listen online and download episodes directly from their site.)
MP3 Monday: A Hawk and a Hacksaw
All too often, a musician will immerse themselves in a culture only to create work that’s a pale imitation of what inspired them in the first place. Not so for Albuquerque duo A Hawk and a Hacksaw — accordionist Jeremy Barnes and violinist Heather Trost — whose adventures in Eastern Europe have continued to produce inspired, passionate music that defies easy categorization. In 2007, the duo moved to Budapest to eat, breathe, and play with local musicians; the result is their new album, and most vibrant work to date, Délivrance. It’s a high-spirited stew where the mariachi and American folk of the duo’s homeland melds with the sounds of Hungary, Romania, Turkey, Greece, and more. The album’s opener, “Foni Tu Argile”, is a barn-burner in any language.
A Hawk and a Hacksaw: Foni Tu Argile mp3
Buy Délivrance by A Hawk and a Hacksaw
As an added bonus — let’s call it “MP3/Video Monday” — here’s a beautiful video for the song “The Man Who Sold His Beard” off Délivrance:
Korpiklaani’s Heavy Metal Accordion
Are you ready to rock? Hold on… ARE YOU READY TO ROCK???
One of our favorite Finnish metal bands — and yes, there’s more than one — Korpiklaani is back with a brand-new album. Korpiklaani plays metal, but with a folk twist; electric guitars and drums fight it out with violin, accordion, and woodwinds. The result is a happier, more upbeat metal than you might be used to. Check out the video for “Vodka” (sample lyric: “Drinking is good for you / And you will feel awesome”), the first single from their new album, Karkelo.
Building a Better (Accordion) Backstrap
Despite its many charms, the accordion can be a physically taxing instrument to play. Most accordion players I know have experienced some degree of back or shoulder pain during their playing careers. One simple, useful tip for alleviating back pain is to use a back strap — a small strap that connects the accordion’s two shoulder straps across your back. The back strap helps support your back, distribute and balance the accordion’s weight between your shoulders, and keep the accordion and shoulder straps in place.
Elena Erber had trouble finding an easy-to-use back strap that would fit on each of her four accordions. So, like any good entrepreneur, she scratched her own itch and started making accordion back straps, which she now sells online.
“I couldn’t find the same style strap again, only leather ones with buckles or hooks or other connection contraptions that didn’t look nearly as easy to operate as a nylon strap and a quick-release buckle, like on a back pack, that allows me to snug it up or loosen it with total ease while I’m wearing it. So I made a few — some for me and some for my friends… I enjoy the process of making them, sewing them, packing them up and sending them off, hoping someday to collect some stories about where they’ve been.”
Her back straps are $19.99 and you can buy them directly from her website or wherever fine accordion accessories are sold.
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MP3 Monday: Polkastra
When a band is named Polkastra and their album is called Polkalypse Now, you know it’s going to be fun. But don’t let song titles like “Ludwig van Polka” or “Four String Polkanini” fool you; there’s some very serious musicianship behind Polkastra’s silliness.
Led by renowned violin virtuoso Lara St. John, this eclectic septet includes Israeli composer Ronn Yedidia on accordion as well as the New York Metropolitan Opera’s contrabassoonist. They set out to make a polka record just for fun, but soon found themselves exploring polka’s ties with folk, jazz, and classical music. It’s too bad that the polka Grammy is no more because Polkalypse Now is a blast — a joyous, energetic of celebration of polka in its many forms — and already one of my favorite albums of the year (polka or otherwise). You can find the digital album on iTunes now, while the physical CD will be released in August.
Squeeze Fest LA This Weekend
Is it just me, or are accordion festivals popping up everywhere these days? The organizers of last year’s Los Angeles Accordion Festival are back with SqueezeFest LA this Sunday night at the Ford Theatres in Hollywood. It’s an excellent accordion triple-bill featuring Portland’s Bohemian cabaret Vagabond Opera, up-and-coming Cajun band Feufollet, and LA’s own Conjunto Los Pochos. The Los Angeles Accordion Festival itself will return in August with Flaco Jimenez as a headliner (dates/venue are still TBD). For information on Sunday’s Squeeze Fest LA,
check the listing on our calendar.
Billie Jean on Accordion
Like many other children of the 1980s, I spent last night listening to my old Michael Jackson albums and reminiscing about my childhood — the trip to the mall to buy Bad on cassette… borrowing one of grandma’s fancy gloves while practicing the moonwalk… okay, maybe that last one was just me.
Nestled among the classic Michael Jackson videos on YouTube, I found this clip of Montreal busker Scott Dunbar doing a fanastically funky one-man accordion band rendition of “Billie Jean.” All that’s missing is the glove.
Crocodile Gena’s Birthday Song
Unless you grew up in the former Soviet Union, chances are you probably haven’t heard of the accordion-playing Crocodile Gena. A character from the Cheburashka childrens books written by Eduard Uspenskiy, Crocodile Gena works as a crocodile in a zoo (naturally) and enjoys playing the garmon (a Russian accordion) and singing with his friends. This video comes from one of the Cheburashka animated films created in the 1970s and captures Crocodile Gena singing his most famous tune.
Here are the translated lyrics:
“Let the pedestrians walk clumsily through the puddles
And let the water run over the asphalt in a river.
It’s unclear to the passersby,
On this rainy day,
Why I’m so happy.But I’m playing the concertina
For all the passersby to see.
Unfortunately,
Birthdays
Only come once a year.I wish that a wizard
Would fly in, in a light blue helicopter,
And show a movie for free.
He would wish me a happy birthday
And probably, leave as a present
500 ice cream sandwiches.But I’m playing the concertina
For all the passersby to see.
Unfortunately,
Birthdays
Only come once a year.”
MP3 Monday: Gilberto Monteiro
Longtime readers may remember us writing about Renato Borghetti, the excellent accordionist from the Rio Grande do Sul region of Brazil. Today, we have a track from an artist who has influenced Borghetti heavily — fellow gaucho accordionist/composer Gilberto Monteiro. Monteiro isn’t as well known outside of Brazil as Borghetti, but his talents are no less impressive; it has been said he is of the few accordionists who impressed Astor Piazzolla.


